Kieran Rayner & Gamal Khamis present:
What If?
A moving, entertaining and ever-changing story with song at its soul – where you decide what happens next!
What path will our river take to the sea?
England, 1914. Young bookseller Max and his best friend Sam have both fallen for Lily, a suffragette. As World War I unfolds, will Max follow patriotic Sam and enlist, or stay and campaign for social reform with Lily? Be it in cruel trenches or impoverished streets, turmoil is inevitable. Navigating war, politics, love, and brotherhood, Max must choose between desire and loyalty, between his duty and principles. What will he do? That’s where you come in…
Kieran Rayner’s moving and entertaining story combines live classical music with a branching narrative where the audience votes on what happens, shaping the plot and musical programme. Featuring songs by Finzi, Butterworth, Schubert, Robert & Clara Schumann, Ethel Smyth and more, What If? is an unforgettable evening of choose-your-own-adventure with song at its soul.
“Genuinely affecting … a feast of joys” – Everything Theatre
Watch the Official Trailer
About the Show
Choose-Your-Own-Adventure + Classical Song
Set in 1914, What If? features multiple characters acted and sung by baritone Kieran Rayner, with piano and sound effects played by Gamal Khamis. Our story explores love, loss, friendship, war, and women’s suffrage, all while giving the audience agency over the direction of the narrative.
Whichever paths are picked, we guarantee a fulfilling and uplifting experience: an entertaining script connecting a rich selection of German and English songs, including Schubert, Robert and Clara Schumann, Ethel Smyth, Butterworth, and Finzi, alongside contemporary composers.
We developed What If? with the support of Samling Institute for Young Artists and the Hugo Burge Foundation. It was selected for a highly-contested ‘Samling and Song’ residency, during which we worked intensively with actor and dramaturg James Garnon to sculpt the show into its final form. What If? promises a new art song experience: an exciting combination of traditional song recital and interactive storytelling. We worked with director Guido Martin-Brandis to create a truly unforgettable premiere at the Royal Over-Seas League, and now are collaborating with director Edwina Strobl to launch further performances in London theatres and beyond.
This show has grown out of our partnership as an established song duo, Kieran’s experience as a writer, opera singer and actor, and Gamal’s work on recording projects which combine song and narrative. Together, we are creating a new way for audiences to experience the dramatic power of song.
Performances To Date:
Date
Friday 4 July, 2025
Time
7:30pm
Location
Jermyn Street Theatre, London West End
Date
Monday 11 November 2024
Time
6:00pm
Location
Princess Alexandra Hall, Royal Over-Seas League, London
Meet the CREATIVES
Kieran Rayner
Baritone, Writer/Creator
Kieran Rayner is a London-based Kiwi baritone, who has performed solo at the Royal Albert Hall & Buckingham Palace, plus across Europe, Asia, and the Pacific Islands. Engagements include Junius The Rape of Lucretia (Royal Ballet & Opera); Bartolo Il Barbiere di Siviglia, Sorcerer Dido & Aeneas (Waterperry Festival); Corrado Maria de Rudenz (Gothic Opera); Escamillo Carmen, Billy Bone Captain Blood’s Revenge (Norwich Festival); Dancaïre Carmen, Forester The Cunning Little Vixen (Longborough Festival Opera); Gasparo Rita, Aeneas Dido & Aeneas (IF Opera); The Prince Fantasio (Garsington); Ucello BambinO (Scottish Opera/Improbable); Marcello La Bohème (Mid Wales Opera); Figaro Il Barbiere di Siviglia (Devon Opera); Eisenstein Die Fledermaus (NAFA Singapore); Papageno Die Zauberflöte, Silvio I Pagliacci (Festival Opera NZ). As a writer-performer, he has created two interactive play/recitals: Where To? (Aldeburgh Festival), and this, What If?, its spiritual successor. Winner of Sing Finzi 2022, International Handel Competition Finalist and Wigmore Hall Song Competition Semifinalist. A Royal College of Music Opera School graduate, and previous Young Artist with Britten Pears Arts, Independent Opera, Verbier Festival, Samling Arts, Kiri Te Kanawa Foundation, and NZ Opera. When not working, you can find him running, playing board games, and saying hello to every cat he meets.
Edwina Strobl
Director
Edwina Strobl is an Austrian/Australian director based in London; working in theatre and opera. She trained in directing and dramaturgy at RADA, and in directing opera at the Royal Opera House. Edwina’s recent directing roles include Young Artist Director on Itch (Opera Holland Park); Opera Scenes (Royal Conservatoire of Scotland); MUSIC (Pleasance Theatre); Amahl and the Night Visitors (Somerset Opera); Le dernier sorcier (Gothic Opera); NewsRevue (Canal Cafe Theatre); L’Elisir d’Amore (Red Earth Opera); La Cenerentola (Red Earth Opera); N89 (Matchstick Theatre). Assistant directing roles include Pagliacci (Opera Holland Park); Carmen (Schauspielhaus Zurich); Nixon in China (Staatsoper Hannover); Candide (Blackheath Halls Opera); Knoxville: Summer 1915 (Royal Opera House). Upcoming work includes directing Ayckbourn’s Time and Time Again at Sidmouth Play Festival and adapting and directing Handel’s Giulio Cesare for Somerset Opera.
Gamal Khamis
Piano, Music Direction
Gamal Khamis first performed at the Wigmore Hall at the age of ten, and he has since appeared at Carnegie Hall, Queen Elizabeth Hall and Sage Gateshead, as well as all over Europe, USA, Canada, Australia and New Zealand. Gamal completed his formal education at the Royal College of Music, after gaining a degree in Mathematics from Imperial College London. He has won major prizes at the Royal Over-Seas League Music Competition and the Ferrier Awards, and he has worked with many of Britain’s leading composers, including Thomas Adès and Mark-Anthony Turnage. He is a regular contributor to BBC Radio 3 In Tune, where he has performed alongside Sol Gabetta, Vilde Frang and Erwin Schrott. Recent engagements have included concertos by Rachmaninov and R Schumann with orchestras across the UK. Gamal was the inaugural Finzi Trust Scholar at Iain Burnside’s Ludlow English Song Weekend in 2021, and he regularly performs at the Flatirons Chamber Music Festival in Colorado, USA. Gamal is a Samling Artist, a member of the award-winning Lipatti Piano Quartet, and he has recently joined the RCM Junior Department as a Chamber Music Coach. His disc of works by Richard Strauss alongside the actor Christopher Kent was released in 2022 by SOMM Recordings and has received glowing reviews.
Guido Martin-Brandis
Director
Guido Martin-Brandis is a director and cellist based in London. His imaginative, character driven, musically sensitive productions have garnered consistently excellent reviews in the press, marking him out as a rising talent amongst British opera directors. His shows have been finalists in the OffWestEnd Awards and the Standing Ovation Awards. His productions of Onegin and Tatiana and The Cunning Little Vixen with The Opera Company, which he founded in 2017, enjoyed sell out runs at the Arcola Theatre as part of the Grimeborn Festival. In the past few seasons he directed three operas by Rameau, and devised two shows centring around French Baroque Music. More recent directing projects have included critically acclaimed productions of L’elisir d’amore for Wild Arts, La Cenerentola and Hansel und Gretel for Opera Kipling, the world premiere of A Child in Striped Pyjamas based on John Boyne’s bestselling novel, and Dido and Aeneas for Somerset Opera. Future projects include Die Fledermaus (Merry Opera) revivals of L’Elisir d’amore and a chamber version of Der Rosenkavalier.
Praise for WOHIN – WHERE TO? – forerunner to this project:
“I think the format is absolutely brilliant… the fact that the audience are involved in choosing really brings it to life for them, and the fact that it fits together whichever order choices are made is a lovely twist, which I enjoyed enormously.”
– Audience member at Britten Pears Arts Aldeburgh Festival
“The experiment showed what new forms of performance are possible when musical and acting skills are combined with an enterprising spirit and the joy of communicating with the audience. The song recital is far from dead, as culture sceptics would have us believe.”
– Review extract from German Newspaper Frankfurter Allgemeine Zeitung
(translated by Lotte Betts-Dean)
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