Kieran stars as the villain Tarquinius in English Touring Opera’s new production of the charged and cathartic opera, The Rape of Lucretia.

A group of bored soldiers decide to test the loyalty of the wives they have left behind at home, unleashing a cruel and reckless series of events that have shattering consequences.

Benjamin Britten’s The Rape of Lucretia was written in the aftermath of the Second World War and reflects a world struggling to remake itself after enormous suffering and destruction. It remains a brutally relevant and chilling exploration of the abuse of power, shot through with glimmers of hope for a better world, with a beautiful, sparse score for just thirteen players showing beauty and lyricism wrestling with the forces of darkness.

ETO Artistic Director & CEO Robin Norton-Hale directs and Music Director Gerry Cornelius conducts, reuniting after their critically acclaimed production of Judith Weir’s Blond Eckbert in 2024.

Kieran stars as the villain Tarquinius in English Touring Opera’s new production of the charged and cathartic opera, The Rape of Lucretia.

A group of bored soldiers decide to test the loyalty of the wives they have left behind at home, unleashing a cruel and reckless series of events that have shattering consequences.

Benjamin Britten’s The Rape of Lucretia was written in the aftermath of the Second World War and reflects a world struggling to remake itself after enormous suffering and destruction. It remains a brutally relevant and chilling exploration of the abuse of power, shot through with glimmers of hope for a better world, with a beautiful, sparse score for just thirteen players showing beauty and lyricism wrestling with the forces of darkness.

ETO Artistic Director & CEO Robin Norton-Hale directs and Music Director Gerry Cornelius conducts, reuniting after their critically acclaimed production of Judith Weir’s Blond Eckbert in 2024.

Kieran stars as the villain Tarquinius in English Touring Opera’s new production of the charged and cathartic opera, The Rape of Lucretia.

A group of bored soldiers decide to test the loyalty of the wives they have left behind at home, unleashing a cruel and reckless series of events that have shattering consequences.

Benjamin Britten’s The Rape of Lucretia was written in the aftermath of the Second World War and reflects a world struggling to remake itself after enormous suffering and destruction. It remains a brutally relevant and chilling exploration of the abuse of power, shot through with glimmers of hope for a better world, with a beautiful, sparse score for just thirteen players showing beauty and lyricism wrestling with the forces of darkness.

ETO Artistic Director & CEO Robin Norton-Hale directs and Music Director Gerry Cornelius conducts, reuniting after their critically acclaimed production of Judith Weir’s Blond Eckbert in 2024.

Kieran stars as the villain Tarquinius in English Touring Opera’s new production of the charged and cathartic opera, The Rape of Lucretia.

A group of bored soldiers decide to test the loyalty of the wives they have left behind at home, unleashing a cruel and reckless series of events that have shattering consequences.

Benjamin Britten’s The Rape of Lucretia was written in the aftermath of the Second World War and reflects a world struggling to remake itself after enormous suffering and destruction. It remains a brutally relevant and chilling exploration of the abuse of power, shot through with glimmers of hope for a better world, with a beautiful, sparse score for just thirteen players showing beauty and lyricism wrestling with the forces of darkness.

ETO Artistic Director & CEO Robin Norton-Hale directs and Music Director Gerry Cornelius conducts, reuniting after their critically acclaimed production of Judith Weir’s Blond Eckbert in 2024.

Kieran stars as the villain Tarquinius in English Touring Opera’s new production of the charged and cathartic opera, The Rape of Lucretia.

A group of bored soldiers decide to test the loyalty of the wives they have left behind at home, unleashing a cruel and reckless series of events that have shattering consequences.

Benjamin Britten’s The Rape of Lucretia was written in the aftermath of the Second World War and reflects a world struggling to remake itself after enormous suffering and destruction. It remains a brutally relevant and chilling exploration of the abuse of power, shot through with glimmers of hope for a better world, with a beautiful, sparse score for just thirteen players showing beauty and lyricism wrestling with the forces of darkness.

ETO Artistic Director & CEO Robin Norton-Hale directs and Music Director Gerry Cornelius conducts, reuniting after their critically acclaimed production of Judith Weir’s Blond Eckbert in 2024.

Kieran stars as the villain Tarquinius in English Touring Opera’s new production of the charged and cathartic opera, The Rape of Lucretia.

A group of bored soldiers decide to test the loyalty of the wives they have left behind at home, unleashing a cruel and reckless series of events that have shattering consequences.

Benjamin Britten’s The Rape of Lucretia was written in the aftermath of the Second World War and reflects a world struggling to remake itself after enormous suffering and destruction. It remains a brutally relevant and chilling exploration of the abuse of power, shot through with glimmers of hope for a better world, with a beautiful, sparse score for just thirteen players showing beauty and lyricism wrestling with the forces of darkness.

ETO Artistic Director & CEO Robin Norton-Hale directs and Music Director Gerry Cornelius conducts, reuniting after their critically acclaimed production of Judith Weir’s Blond Eckbert in 2024.

Kieran stars as the villain Tarquinius in English Touring Opera’s new production of the charged and cathartic opera, The Rape of Lucretia.

A group of bored soldiers decide to test the loyalty of the wives they have left behind at home, unleashing a cruel and reckless series of events that have shattering consequences.

Benjamin Britten’s The Rape of Lucretia was written in the aftermath of the Second World War and reflects a world struggling to remake itself after enormous suffering and destruction. It remains a brutally relevant and chilling exploration of the abuse of power, shot through with glimmers of hope for a better world, with a beautiful, sparse score for just thirteen players showing beauty and lyricism wrestling with the forces of darkness.

ETO Artistic Director & CEO Robin Norton-Hale directs and Music Director Gerry Cornelius conducts, reuniting after their critically acclaimed production of Judith Weir’s Blond Eckbert in 2024.