Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will sing the villainous Sorcerer in Waterperry’s Double Bill of Dido & Aeneas and Acis & Galatea.
Acis and Galatea. The ethereal nymph, Galatea, is in love with a youthful shepherd, Acis. All seems serene, until their love is threatened by the jealousy of the monstrous Polyphemus. Directed by Rebecca Meltzer (Svadba, Hansel and Gretel, Ariel, Mansfield Park) this new production celebrates the beauty of Handel’s music coupled with Waterperry’s natural spaces.
Dido and Aeneas. Tribal Queen Dido struggles to keep power in her court as Prince Aeneas comes to ask for her hand in marriage and an alliance between factions. Treachery and sedition threaten to tear a nation and a marriage asunder. Directed by Guy Withers (Peter and the Wolf, The Diary of One Who Disappeared), this beloved English operatic gem takes a dark turn in a bold new production.
Kieran will sing the villainous Sorcerer in Waterperry’s Double Bill of Dido & Aeneas and Acis & Galatea.
Acis and Galatea. The ethereal nymph, Galatea, is in love with a youthful shepherd, Acis. All seems serene, until their love is threatened by the jealousy of the monstrous Polyphemus. Directed by Rebecca Meltzer (Svadba, Hansel and Gretel, Ariel, Mansfield Park) this new production celebrates the beauty of Handel’s music coupled with Waterperry’s natural spaces.
Dido and Aeneas. Tribal Queen Dido struggles to keep power in her court as Prince Aeneas comes to ask for her hand in marriage and an alliance between factions. Treachery and sedition threaten to tear a nation and a marriage asunder. Directed by Guy Withers (Peter and the Wolf, The Diary of One Who Disappeared), this beloved English operatic gem takes a dark turn in a bold new production.
Kieran will sing the villainous Sorcerer in Waterperry’s Double Bill of Dido & Aeneas and Acis & Galatea.
Acis and Galatea. The ethereal nymph, Galatea, is in love with a youthful shepherd, Acis. All seems serene, until their love is threatened by the jealousy of the monstrous Polyphemus. Directed by Rebecca Meltzer (Svadba, Hansel and Gretel, Ariel, Mansfield Park) this new production celebrates the beauty of Handel’s music coupled with Waterperry’s natural spaces.
Dido and Aeneas. Tribal Queen Dido struggles to keep power in her court as Prince Aeneas comes to ask for her hand in marriage and an alliance between factions. Treachery and sedition threaten to tear a nation and a marriage asunder. Directed by Guy Withers (Peter and the Wolf, The Diary of One Who Disappeared), this beloved English operatic gem takes a dark turn in a bold new production.
Ivor Novello (tenor): Alfred Mitchell
‘Mad’ Frankie Fraser (baritone): Kieran Rayner
Clara Novello Davies, Ivor’s mother (soprano): Olivia Bell
Prison Warder (bass-baritone): Anthony Lloyd
The idol and the thug: well-known Queer Ivor Novello was the most successful composer and matinee idol of the 30s and 40s. In 1944 he was banged up in Wormwood Scrubs for fiddling his petrol coupons. He shared a cell with a homophobe: 20-year-old ‘Mad’ Frankie Fraser, the terror of South London gangland. What could possibly go wrong?
This almost-true story explores class war, electric shock treatment, the nature of masculinity – and how to rebuild a life you think is in ruins.
Music: Robert Ely
Words: Peter Scott-Presland
Director: Emily Beech
Music Director: Joe Tobin
Repetiteur: Jack Campbell
Lighting Design: John Brand
Ivor Novello (tenor): Alfred Mitchell
‘Mad’ Frankie Fraser (baritone): Kieran Rayner
Clara Novello Davies, Ivor’s mother (soprano): Olivia Bell
Prison Warder (bass-baritone): Anthony Lloyd
The idol and the thug: well-known Queer Ivor Novello was the most successful composer and matinee idol of the 30s and 40s. In 1944 he was banged up in Wormwood Scrubs for fiddling his petrol coupons. He shared a cell with a homophobe: 20-year-old ‘Mad’ Frankie Fraser, the terror of South London gangland. What could possibly go wrong?
This almost-true story explores class war, electric shock treatment, the nature of masculinity – and how to rebuild a life you think is in ruins.
Music: Robert Ely
Words: Peter Scott-Presland
Director: Emily Beech
Music Director: Joe Tobin
Repetiteur: Jack Campbell
Lighting Design: John Brand
Music: Omar Shahryar
Words: Hannah Kumari
Created by PJ Harris and Hannah Kumari
A work-in-progress performance.
In the shadow of international unrest, the increasingly militant Suffragettes plan an attack which could change the history of Woolwich Arsenal FC forever.
Annie is a football fan, and a Suffragette. Francis is a munitions factory worker, and a father. William is a Scottish immigrant and a professional footballer. When ruthless businessman Henry Norris buys ailing Woolwich Arsenal FC and attempts to displace the club north of the river, the intertwined lives of these three Woolwich residents take a dramatic turn.
Age Rating: All ages, mostly adults.
Content Advisory: to see content advisories for Tête à Tête: The Opera Festival 2023 shows, click here.
Produced by PJ Harris & Hannah Kumari, in association with English National Opera
In cooperation with the Vienna-Tel Aviv Vocal Connection
Strauss‘s opera Die Fledermaus, with conductor David Aronson, Shahar Choir (Gila Brill, conductor) and soloists from Israel and abroad.
David Aronson, conductor
Rosemarie Danziger, stage director
Rosalinde: Efrat Ashkenazi (The Israeli Opera)
Adele: Emily Rocha (Toronto, International Award Winning Artist)
Alfred: Franz Gürtelschmied (Bastille Opera, Paris; Graz Opera; Budapest Opera)
Eisenstein: Martin Mairinger (Klagenfurt Opera, Austria; Opéra de Lille, France; Klosterneuburg Opera, Austria; Theater an der Wien, Austria)
Frank: Kieran Rayner (Covent Garden; Welsh Opera; Scottish National Opera)
Falke: Mark Nathan (Welsh National Opera; Scottish Opera; Irish Opera)
Dr. Blind: Richard Roberts (English National Opera; Welsh National Opera; Theater Kiel, Germany; Theater Kassel, Germany)
Prince Orlofsky: Christiane Döcker: (Leipzig Opera, Germany; Klagenfurt Opera, Austria)
Ida: Sivan Keren (The Israeli Opera)
Ivan/Frosch: Joel Landshut (Actor)
In cooperation with the Vienna-Tel Aviv Vocal Connection
Strauss‘s opera Die Fledermaus, with conductor David Aronson, Shahar Choir (Gila Brill, conductor) and soloists from Israel and abroad.
David Aronson, conductor
Rosemarie Danziger, stage director
Rosalinde: Efrat Ashkenazi (The Israeli Opera)
Adele: Emily Rocha (Toronto, International Award Winning Artist)
Alfred: Franz Gürtelschmied (Bastille Opera, Paris; Graz Opera; Budapest Opera)
Eisenstein: Martin Mairinger (Klagenfurt Opera, Austria; Opéra de Lille, France; Klosterneuburg Opera, Austria; Theater an der Wien, Austria)
Frank: Kieran Rayner (Covent Garden; Welsh Opera; Scottish National Opera)
Falke: Mark Nathan (Welsh National Opera; Scottish Opera; Irish Opera)
Dr. Blind: Richard Roberts (English National Opera; Welsh National Opera; Theater Kiel, Germany; Theater Kassel, Germany)
Prince Orlofsky: Christiane Döcker: (Leipzig Opera, Germany; Klagenfurt Opera, Austria)
Ida: Sivan Keren (The Israeli Opera)
Ivan/Frosch: Joel Landshut (Actor)
In cooperation with the Vienna-Tel Aviv Vocal Connection
Strauss‘s opera Die Fledermaus, with conductor David Aronson, Shahar Choir (Gila Brill, conductor) and soloists from Israel and abroad.
David Aronson, conductor
Rosemarie Danziger, stage director
Rosalinde: Efrat Ashkenazi (The Israeli Opera)
Adele: Emily Rocha (Toronto, International Award Winning Artist)
Alfred: Franz Gürtelschmied (Bastille Opera, Paris; Graz Opera; Budapest Opera)
Eisenstein: Martin Mairinger (Klagenfurt Opera, Austria; Opéra de Lille, France; Klosterneuburg Opera, Austria; Theater an der Wien, Austria)
Frank: Kieran Rayner (Covent Garden; Welsh Opera; Scottish National Opera)
Falke: Mark Nathan (Welsh National Opera; Scottish Opera; Irish Opera)
Dr. Blind: Richard Roberts (English National Opera; Welsh National Opera; Theater Kiel, Germany; Theater Kassel, Germany)
Prince Orlofsky: Christiane Döcker: (Leipzig Opera, Germany; Klagenfurt Opera, Austria)
Ida: Sivan Keren (The Israeli Opera)
Ivan/Frosch: Joel Landshut (Actor)
- Whangārei soprano, Sophie Sparrow, for all the concerts
- Cheviot tenor, Harry Grigg, for all the concerts
- Kāpiti baritone, Kieran Rayner, for the Auckland and Wellington concerts
- Australian-Cypriot mezzo, Shakira Tsindos, for all the concerts.
- Whangārei soprano, Sophie Sparrow, for all the concerts
- Cheviot tenor, Harry Grigg, for all the concerts
- Kāpiti baritone, Kieran Rayner, for the Auckland and Wellington concerts
- Australian-Cypriot mezzo, Shakira Tsindos, for all the concerts.
Somerset Opera present Dido and Aeneas
Directed by Guido Martin Brandis, conducted by Noah Mosley.
Experience Purcell’s timeless music performed by sublime soloists and Somerset Opera with the Taunton Sinfonietta beside the 4th Century Low Ham Mosaic. Marvel at this beautiful and ancient piece of narrative art – which depicts the tragic love story of Dido and Aeneas within the atmospheric surroundings of the Great Hall of the Museum of Somerset.
More information and tickets can be found on Somerset Opera’s website.
Somerset Opera present Dido and Aeneas
Directed by Guido Martin Brandis, conducted by Noah Mosley.
Experience Purcell’s timeless music performed by sublime soloists and Somerset Opera with the Taunton Sinfonietta beside the 4th Century Low Ham Mosaic. Marvel at this beautiful and ancient piece of narrative art – which depicts the tragic love story of Dido and Aeneas within the atmospheric surroundings of the Great Hall of the Museum of Somerset.
More information and tickets can be found on Somerset Opera’s website.
Somerset Opera present Dido and Aeneas
Directed by Guido Martin Brandis, conducted by Noah Mosley.
Experience Purcell’s timeless music performed by sublime soloists and Somerset Opera with the Taunton Sinfonietta beside the 4th Century Low Ham Mosaic. Marvel at this beautiful and ancient piece of narrative art – which depicts the tragic love story of Dido and Aeneas within the atmospheric surroundings of the Great Hall of the Museum of Somerset.
More information and tickets can be found on Somerset Opera’s website.
| Location: Waterperry Main Stage Start Time & Duration: Performances start at 6:30pm. There is one extended dining interval. Performances end at approx. 9:45pm.
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| Location: Waterperry Main Stage Start Time & Duration: Performances start at 6:30pm. There is one extended dining interval. Performances end at approx. 9:45pm.
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| Location: Waterperry Main Stage Start Time & Duration: Performances start at 6:30pm. There is one extended dining interval. Performances end at approx. 9:45pm.
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| Location: Waterperry Main Stage Start Time & Duration: Performances start at 6:30pm. There is one extended dining interval. Performances end at approx. 9:45pm.
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