Role: The Blacksmith
Saffron Hall, Saffron Walden, Essex
A mysterious knight must save Saffron Walden from a terrible basilisk, but nothing is quite as it seems. Five centuries of local history collide in Saffron Hall and Saffron Walden County’s spectacular new opera production performed with young people from eight schools, alongside professional singers and instrumentalists.
Philip Sunderland musical director
Anna Moorhouse director
Sue Raven choreographer
Role: The Blacksmith
Saffron Hall, Saffron Walden, Essex
A mysterious knight must save Saffron Walden from a terrible basilisk, but nothing is quite as it seems. Five centuries of local history collide in Saffron Hall and Saffron Walden County’s spectacular new opera production performed with young people from eight schools, alongside professional singers and instrumentalists.
Philip Sunderland musical director
Anna Moorhouse director
Sue Raven choreographer
Role: The Blacksmith
Saffron Hall, Saffron Walden, Essex
A mysterious knight must save Saffron Walden from a terrible basilisk, but nothing is quite as it seems. Five centuries of local history collide in Saffron Hall and Saffron Walden County’s spectacular new opera production performed with young people from eight schools, alongside professional singers and instrumentalists.
Philip Sunderland musical director
Anna Moorhouse director
Sue Raven choreographer
Role: The Blacksmith
Saffron Hall, Saffron Walden, Essex
A mysterious knight must save Saffron Walden from a terrible basilisk, but nothing is quite as it seems. Five centuries of local history collide in Saffron Hall and Saffron Walden County’s spectacular new opera production performed with young people from eight schools, alongside professional singers and instrumentalists.
Philip Sunderland musical director
Anna Moorhouse director
Sue Raven choreographer
Baritone soloist (Archangel Raphael and Adam)
St Andrew’s Church, Burgess Hill, Suffolk
A concert performance of Haydn’s master work, the Creation. Kieran will be singing both the solo baritone roles: Archangel Raphael, and Adam (the first man).
Burgess Hill Choral Society
Baritone soloist – Bach Cantata 182 Himmelskönig, sei willkommen
Charity Concert in aid of Macmillan: Masterpieces by J. S. Bach
Jesu, meine Freude
Orchestral Suite No.2
Cantata 182 Himmelskönig, sei willkommen
Stephen Jones conductor
Timothy Morgan counter-tenor
Joel Williams tenor
Kieran Rayner baritone
Hertfordshire Baroque Soloists
Diane Terry leader | Siu Peasgood flute
Rogers Covey-Crump continuo
Benjamien Lycke (music) / Mien Bogaert (words): Stream of Consciousness, Sea of Blood
Role: The President
Alex Paxton (music and words): Bel and the Dragon
Role: The King
Kenichi Ikuno Sekiguchi (music and words): 76 Days
Role: Fear
Lionel Friend coductor
Bill Bankes-Jones director
Sarah Booth designer
Following the success of Hogarth’s Stages in 2014, don’t miss this opportunity to hear a series of six brand-new mini operas created by RCM composers and performed by outstanding RCM singers.
Based on the theme of crime and punishment, marking 150 years since the publication of Dostoyevsky’s famous novel, each opera packs a punch in just fifteen minutes.
We are fortunate to welcome both Bill Bankes-Jones, inspirational founder of Tête à Tête, and Lionel Friend, celebrated conductor and Musical Director of British Youth Opera, to help us bring these daring contemporary new interpretations to life on the Britten Theatre stage.
Produced by the Royal College of Music in association with Tête à Tête
Please note that some of the operas contain adult themes
Benjamien Lycke (music) / Mien Bogaert (words): Stream of Consciousness, Sea of Blood
Role: The President
Alex Paxton (music and words): Bel and the Dragon
Role: The King
Kenichi Ikuno Sekiguchi (music and words): 76 Days
Role: Fear
Lionel Friend coductor
Bill Bankes-Jones director
Sarah Booth designer
Following the success of Hogarth’s Stages in 2014, don’t miss this opportunity to hear a series of six brand-new mini operas created by RCM composers and performed by outstanding RCM singers.
Based on the theme of crime and punishment, marking 150 years since the publication of Dostoyevsky’s famous novel, each opera packs a punch in just fifteen minutes.
We are fortunate to welcome both Bill Bankes-Jones, inspirational founder of Tête à Tête, and Lionel Friend, celebrated conductor and Musical Director of British Youth Opera, to help us bring these daring contemporary new interpretations to life on the Britten Theatre stage.
Produced by the Royal College of Music in association with Tête à Tête
Please note that some of the operas contain adult themes
British Youth Opera: English Eccentrics
By Malcolm Williamson
Libretto by Geoffrey Dunn based on the book by Edith Sitwell
Roles: Dr Katterfelto, Lord Rokeby, Alderman Birch, Lord Rothschild, Mr Worrall and Etienne
In this rarely performed chamber piece we meet hermits, quacks, mariners, indefatigable travellers, and men of learning. Peopled with – as the title suggests – the most absurd of English eccentricity, this is a glorious gallery of the extremes of human nature, portrayed with humour, sympathy, knowledge, and love.
British Youth Opera: English Eccentrics
By Malcolm Williamson
Libretto by Geoffrey Dunn based on the book by Edith Sitwell
Roles: Dr Katterfelto, Lord Rokeby, Alderman Birch, Lord Rothschild, Mr Worrall and Etienne
In this rarely performed chamber piece we meet hermits, quacks, mariners, indefatigable travellers, and men of learning. Peopled with – as the title suggests – the most absurd of English eccentricity, this is a glorious gallery of the extremes of human nature, portrayed with humour, sympathy, knowledge, and love.
Role: Nardo
The Royal College of Music International Opera School presents Mozart’s early comic opera La finta giardiniera, sung in Italian and conducted by Michael Rosewell.
http://www.rcm.ac.uk/events/seasonhighlights/giardiniera/
Role: Nardo
The Royal College of Music International Opera School presents Mozart’s early comic opera La finta giardiniera, sung in Italian and conducted by Michael Rosewell.
http://www.rcm.ac.uk/events/seasonhighlights/giardiniera/
Thames Philharmonic Choir
Louise Fuller soprano
Rosanna Cooper alto
Thomas Erlank tenor
Kieran Rayner bass
Vaughan Williams: Serenade to Music
Sweelinck: Hodie Christus Natus Est
Bryan Kelly: Abingdon Carols
Gabrieli: Hodie Christus Natus Est
Handel: Christmas music – Messiah
Thames Philharmonic Choir
Thames Festival Orchestra
Conductor: John Bate
Tickets: £20, £16, £5 (restricted view)
Concessions: £18, £14.50
Kingston Parish Church, Market Place, Kingston, KT1 1JP
7:30pm | 17 December 2016 | Amaryllis Fleming Concert Hall
Theodora: Jennifer Coleman
Didymus: Feargal Mostyn-Williams
Irene: Polly Leech
Valens: Kieran Rayner
Septimus: Ben Smith
Join the RCM Oratorio Society for this concert setting of Handel’s Theodora performed with baroque orchestra.
The narrative of this 1750 oratorio follows the journey of one Christian woman’s path to martyrdom, and her quest for virtue in a time of Roman tyranny. Moved by her purity, the Roman soldier Didymus falls in love with Theodora, and betrays his own people trying to save her.
This compelling tale is one of Handel’s finest works – the composer himself ranked the final chorus of Act II ‘He saw the lovely youth’ far beyond The Messiah‘s famous ‘Hallelujah’. Do not miss what promises to be an evening of beautiful music and moving drama.
Image credit: Laura Loach
The Chichester Singers
Haydn – Creation
Conductor: Jonathan Wilcocks
The London Handel Festival in conjunction with the Royal College of Music International Opera School present Handel’s early opera, Faramondo. Kieran will play Gustavo, the main baritone role.
Britten Theatre, Royal College of Music, London
Conductor: Laurence Cummings
Director: William Relton
The London Handel Festival in conjunction with the Royal College of Music International Opera School present Handel’s early opera, Faramondo. Kieran will play Gustavo, the main baritone role.
Britten Theatre, Royal College of Music, London
Conductor: Laurence Cummings
Director: William Relton
Burgess Hill Choral Society
Kieran will sing the baritone solos in Handel’s masterpiece, The Messiah.
United Reformed Church
Junction Road
Burgess Hill
West Sussex
RH15 0JS
COME AND SING – ORFF’S CARMINA BURANA
SOLOISTS:
Josephine Goddard – Soprano
Richard Pinkstone – Tenor
Kieran Rayner – Baritone
Mayfield Festival Choir invite you to a day of medieval debauchery as seen through the eyes of the Turbulent Thirties.
This event marks the 80th anniversary of the first performance of Carl Orff’s Carmina Burana. The music of this scenic cantata is known just as well for its accompaniment of the 1970s Old Spice advertisement (the octogenarian Orff must have been so proud!) as for its many appearances in concert halls around the world. The 11th-13th century poems are about wealth, eating, drinking, gambling, and lust – timeless subjects indeed. The virtuoso choir writing is complemented by three solo voices, all of whom push the envelope with their peculiarly high vocal ranges. And in this performance, the 1956 instrumentation will be used: authorized by the composer, in this version two pianos are joined by six percussionists. The sounds are raw and orgiastic; the percussive sound of the grand pianos is matched by six percussionists playing for all they’re worth: an electrifying soundworld that is both primitive and sophisticated at the same time.
The Royal College of Music International Opera School presents a hilarious French comedy double bill: Chabrier’s Une Éducation Manquée and Poulenc’s Les Mamelles de Tirésias.
Kieran will play three roles:
Le Mari (Poulenc lead role) on 30 June / 4 July
Pausanias (Chabrier) and Le Directeur (Poulenc) on 28 June / 3 July
Britten Theatre, Royal College of Music, London
Conductor: Michael Rosewell
Director: Stephen Unwin
The Royal College of Music International Opera School presents a hilarious French comedy double bill: Chabrier’s Une Éducation Manquée and Poulenc’s Les Mamelles de Tirésias.
Kieran will play three roles:
Le Mari (Poulenc lead role) on 30 June / 4 July
Pausanias (Chabrier) and Le Directeur (Poulenc) on 28 June / 3 July
Britten Theatre, Royal College of Music, London
Conductor: Michael Rosewell
Director: Stephen Unwin