Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2018 season:
Diener: Strauss Capriccio
Remo (cover) & Young Honeymooner: David Sawer The Skating Rink
Chorus: Mozart Die Zauberflöte
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2018 season:
Diener: Strauss Capriccio
Remo (cover) & Young Honeymooner: David Sawer The Skating Rink
Chorus: Mozart Die Zauberflöte
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2018 season:
Diener: Strauss Capriccio
Remo (cover) & Young Honeymooner: David Sawer The Skating Rink
Chorus: Mozart Die Zauberflöte
Kieran makes his debut with Euphonia Opera, reprising the starring roles of Le Mari and Le Directeur in Poulenc’s Les Mamelles de Tirésias, both of which he played in the Royal College of Music’s very successful production in 2017.
Directed by Alisdair Kitchen
Le Mari & Le Directeur: Kieran Rayner
Thérèse: Louise Fuller
Kieran makes his debut with Euphonia Opera, reprising the starring roles of Le Mari and Le Directeur in Poulenc’s Les Mamelles de Tirésias, both of which he played in the Royal College of Music’s very successful production in 2017.
Directed by Alisdair Kitchen
Le Mari & Le Directeur: Kieran Rayner
Thérèse: Louise Fuller
Kieran will make his Singaporean debut with NAFA’s 80th Anniversary production of Die Fledermaus, where he will reprise the role of Eisenstein, after playing it in Sir John Copley’s production at the RCM in 2016.
Directed by David Edwards
Conducted by Maestro Lim Yao
Kieran will make his Singaporean debut with NAFA’s 80th Anniversary production of Die Fledermaus, where he will reprise the role of Eisenstein, after playing it in Sir John Copley’s production at the RCM in 2016.
Directed by David Edwards
Conducted by Maestro Lim Yao
Kieran will make his Singaporean debut with NAFA’s 80th Anniversary production of Die Fledermaus, where he will reprise the role of Eisenstein, after playing it in Sir John Copley’s production at the RCM in 2016.
Directed by David Edwards
Conducted by Maestro Lim Yao
Butterfly… Hannah Catrin Jones
Pinkerton… Boyd Owen
Sharpless… Kieran Rayner
Suzuki… Laura Loach
After their critically acclaimed debut production of “Don Giovanni” in 2016 and “The Marriage of Figaro” in 2017, Eternity Opera is returning with Puccini’s 1903 masterpiece “Madam Butterfly”.
“Madam Butterfly” follows a beautifully traced arc for the title character, from the young bride who renounces her religion to embrace all things American to the strong young mother who returns to her culture and the code of honor that governs her tragic destiny.
With gorgeous period costumes and designs, and featuring much of Puccini’s most lyrical music, including the Humming Chorus, Flower Duet, the stunning aria in “Un bel dì,” and a spine-tingling climax.
Performed in English by a lineup of top New Zealand singers, this will be directed by Alex Galvin and conducted by Matthew Ross, with support from the Eternity Chamber Orchestra.
Butterfly… Hannah Catrin Jones
Pinkerton… Boyd Owen
Sharpless… Kieran Rayner
Suzuki… Laura Loach
After their critically acclaimed debut production of “Don Giovanni” in 2016 and “The Marriage of Figaro” in 2017, Eternity Opera is returning with Puccini’s 1903 masterpiece “Madam Butterfly”.
“Madam Butterfly” follows a beautifully traced arc for the title character, from the young bride who renounces her religion to embrace all things American to the strong young mother who returns to her culture and the code of honor that governs her tragic destiny.
With gorgeous period costumes and designs, and featuring much of Puccini’s most lyrical music, including the Humming Chorus, Flower Duet, the stunning aria in “Un bel dì,” and a spine-tingling climax.
Performed in English by a lineup of top New Zealand singers, this will be directed by Alex Galvin and conducted by Matthew Ross, with support from the Eternity Chamber Orchestra.
Butterfly… Hannah Catrin Jones
Pinkerton… Boyd Owen
Sharpless… Kieran Rayner
Suzuki… Laura Loach
After their critically acclaimed debut production of “Don Giovanni” in 2016 and “The Marriage of Figaro” in 2017, Eternity Opera is returning with Puccini’s 1903 masterpiece “Madam Butterfly”.
“Madam Butterfly” follows a beautifully traced arc for the title character, from the young bride who renounces her religion to embrace all things American to the strong young mother who returns to her culture and the code of honor that governs her tragic destiny.
With gorgeous period costumes and designs, and featuring much of Puccini’s most lyrical music, including the Humming Chorus, Flower Duet, the stunning aria in “Un bel dì,” and a spine-tingling climax.
Performed in English by a lineup of top New Zealand singers, this will be directed by Alex Galvin and conducted by Matthew Ross, with support from the Eternity Chamber Orchestra.
Butterfly… Hannah Catrin Jones
Pinkerton… Boyd Owen
Sharpless… Kieran Rayner
Suzuki… Laura Loach
After their critically acclaimed debut production of “Don Giovanni” in 2016 and “The Marriage of Figaro” in 2017, Eternity Opera is returning with Puccini’s 1903 masterpiece “Madam Butterfly”.
“Madam Butterfly” follows a beautifully traced arc for the title character, from the young bride who renounces her religion to embrace all things American to the strong young mother who returns to her culture and the code of honor that governs her tragic destiny.
With gorgeous period costumes and designs, and featuring much of Puccini’s most lyrical music, including the Humming Chorus, Flower Duet, the stunning aria in “Un bel dì,” and a spine-tingling climax.
Performed in English by a lineup of top New Zealand singers, this will be directed by Alex Galvin and conducted by Matthew Ross, with support from the Eternity Chamber Orchestra.
Butterfly… Hannah Catrin Jones
Pinkerton… Boyd Owen
Sharpless… Kieran Rayner
Suzuki… Laura Loach
After their critically acclaimed debut production of “Don Giovanni” in 2016 and “The Marriage of Figaro” in 2017, Eternity Opera is returning with Puccini’s 1903 masterpiece “Madam Butterfly”.
“Madam Butterfly” follows a beautifully traced arc for the title character, from the young bride who renounces her religion to embrace all things American to the strong young mother who returns to her culture and the code of honor that governs her tragic destiny.
With gorgeous period costumes and designs, and featuring much of Puccini’s most lyrical music, including the Humming Chorus, Flower Duet, the stunning aria in “Un bel dì,” and a spine-tingling climax.
Performed in English by a lineup of top New Zealand singers, this will be directed by Alex Galvin and conducted by Matthew Ross, with support from the Eternity Chamber Orchestra.
Echoes 8 – Love & Life: Dare to Dream is a celebration of singing and musicianship featuring 1800 primary children from Buckinghamshire coming together with BMT musicians and partners
Love & Life is a collection of songs exploring these themes sung by 900 children from 30 primary schools in up to nine parts under the musical direction of Fay Hayhurst.
Dare to Dream is a newly commissioned semi-staged opera composed by Hannah Conway, libretto written by Lucinda Jarrett and Chris Rawlence and directed by Karen Gillingham. This project is a partnership between Buckinghamshire Music Trust, Garsington Opera and Rosetta Life.
A core company of 90 children, massed choir of 800 children and soloists Claire Wild and Kieran Rayner are accompanied by a 25 piece orchestra.
Echoes 8 will be an exhilarating experience and a celebration of the joy of singing.
Cosi Fan Tutte – The Remake
With a brand-new re-composition of the original score by Luca Tieppo and a compelling new drama and libretto by Becca Marriott and Iskandar Sharazuddin, Così Fan Tutte – The Remake (or Così Fan Tutti) will make audiences see the archetypes of Mozart’s opera in a new light. In a faithful attempt to combine the original material with modernity, this production will position itself at the heart of the current debate on gender politics.
Luca Tieppo, composer, says:
Modern adaptations of well-known operas usually intervene on the staging only (and sometimes on the libretto) but leave the original music score untouched. I’ve always thought this creates a sense of alienation between the dramatic performance and the musical landscape, which remains frozen in a specific time regardless of how the libretto is adapted. I would like to try a different way, that of the Remake – to create a fresh, coherent production where not only staging and libretto are intimately connected, but also the music is moulded by using different stylistic and vocal approaches that combine the source material with contemporaneity.
Selections from the Remake will be performed after a weeklong workshop in the first week of April.
Kieran will be playing the role of Will (Guglielmo).
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Kieran will perform the lead baritone role (and villain!) of The Prince of Mantua in Offenbach’s Fantasio for Garsington’s Opera First event.
Fantasio is a melancholy, moon-struck dreamer who yearns after an unreachable princess. Can he win her over with his disguise as her beloved jester and fulfil his promise to prevent her arranged marriage to the prince? Secret encounters and mistaken identities are eventually, and sometimes unexpectedly, resolved.
Offenbach was known for his witty and catchy melodies, poking fun at the establishment in tuneful scores of dazzling charm. Celebrating the composer’s bicentenary in 2019, we present the UK stage premiere of this enchanting and gently poignant opera in a specially commissioned new English translation by Jeremy Sams.
We welcome Hanna Hipp (Capriccio, 2018) in the title role, Jennifer France (Le nozze di Figaro, 2017) as Princess Elsbeth and director Martin Duncan (Il turco in Italia, 2017) with conductor Justin Doyle making his Garsington debut.
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
Alvarez Young Artist with Garsington Opera
As an Alvarez Young Artist, Kieran will play the following roles in Garsington Opera’s upcoming 2019 season:
The Prince (Cover) and The Passer By: Offenbach Fantasio
Chorus: Smetana The Bartered Bride
Chorus: Mondeverdi Vespers 1610
There are two locations for this production: Exeter 7 November, Dartington 9 November.
Following the great success of their sold-out production of La Traviata, Devon Opera returns to The Barnfield with Rossini’s The Barber of Seville. This delightful comedy is full of favourites, performed by a stunning cast of singers and instrumental trio. Sung in Italian with English surtitles.
Figaro: Kieran Rayner
Count Almaviva: William Wallace
Doctor Bartolo – Pauls Putnins
Rosina – Annabella Ellis
Basilio – Phil Wilcox
Berta – Rose Stachniewska
Ambrogio/ Ufficiale/ Notaro – Helen Potter
Director – Simone Ibbett-Brown
Musical Director/Piano – Chad Vindin
Producer – Natasha Day
Costume – Lydia Dockray
There are two locations for this production: Exeter 7 November, Dartington 9 November.
Rossini’s Il Barbiere Di Siviglia is one of the greatest comic operas ever written. Composed in barely two weeks in 1816, it is a delightful romp packed with wonderful coloratura arias and ensembles, high speed “patter songs”, splendid buffo characters, and laugh-aloud scenes. Not to be missed!
This two act production will be directed by Simone Ibbett-Brown making her debut engagement with Devon Opera. Earlier this year she was Staff Director for Glyndebourne’s own production of this opera. Except for a few cuts this is a complete production, imaginatively set in Edwardian England, with a brilliant cast.
Estimated running time of the performance will be 3 hours with a 30 minute interval.
The performance will be sung in Italian with English surtitles.
Figaro: Kieran Rayner
Count Almaviva: William Wallace
Doctor Bartolo – Pauls Putnins
Rosina – Annabella Ellis
Basilio – Phil Wilcox
Berta – Rose Stachniewska
Ambrogio/ Ufficiale/ Notaro – Helen Potter
Director – Simone Ibbett-Brown
Musical Director/Piano – Chad Vindin
Producer – Natasha Day
Costume – Lydia Dockray
Cavalleria Rusticana & I Pagliacci
Two one-act operas by P Mascagni and R Leoncavallo
Opera’s most famous and spectacular pairing, ‘Cavalleria Rusticana & I Pagliacci’ has captivated audiences over generations, and Festival Opera’s season will carry on the tradition.
John Wilkie returns to direct a double cast, led by conductor Jose Aparicio, featuring the stunning Toni Marie Palmertree and Anna Pierard as the female heroines in the respective operas.
Rosario la Spina returns after a super-human season in last year’s ‘La Traviata’. He brings his artistry to the classic aria that made Pavarotti famous.
Baritone ZhengZhong Zhou, Kiwi Mezzo Wendy Doyle and Baritone Kieran Rayner are also featured, and in her first foray into opera, the exceptional singer song-writer Julia Deans takes on her newest challenge, performing the role of Lola.
Festival Opera is thrilled to support Project Prima Volta members who will also take part for the most exciting production yet!
Cavalleria Rusticana & I Pagliacci
Two one-act operas by P Mascagni and R Leoncavallo
Opera’s most famous and spectacular pairing, ‘Cavalleria Rusticana & I Pagliacci’ has captivated audiences over generations, and Festival Opera’s season will carry on the tradition.
John Wilkie returns to direct a double cast, led by conductor Jose Aparicio, featuring the stunning Toni Marie Palmertree and Anna Pierard as the female heroines in the respective operas.
Rosario la Spina returns after a super-human season in last year’s ‘La Traviata’. He brings his artistry to the classic aria that made Pavarotti famous.
Baritone ZhengZhong Zhou, Kiwi Mezzo Wendy Doyle and Baritone Kieran Rayner are also featured, and in her first foray into opera, the exceptional singer song-writer Julia Deans takes on her newest challenge, performing the role of Lola.
Festival Opera is thrilled to support Project Prima Volta members who will also take part for the most exciting production yet!
Cavalleria Rusticana & I Pagliacci
Two one-act operas by P Mascagni and R Leoncavallo
Opera’s most famous and spectacular pairing, ‘Cavalleria Rusticana & I Pagliacci’ has captivated audiences over generations, and Festival Opera’s season will carry on the tradition.
John Wilkie returns to direct a double cast, led by conductor Jose Aparicio, featuring the stunning Toni Marie Palmertree and Anna Pierard as the female heroines in the respective operas.
Rosario la Spina returns after a super-human season in last year’s ‘La Traviata’. He brings his artistry to the classic aria that made Pavarotti famous.
Baritone ZhengZhong Zhou, Kiwi Mezzo Wendy Doyle and Baritone Kieran Rayner are also featured, and in her first foray into opera, the exceptional singer song-writer Julia Deans takes on her newest challenge, performing the role of Lola.
Festival Opera is thrilled to support Project Prima Volta members who will also take part for the most exciting production yet!
Cavalleria Rusticana & I Pagliacci
Two one-act operas by P Mascagni and R Leoncavallo
Opera’s most famous and spectacular pairing, ‘Cavalleria Rusticana & I Pagliacci’ has captivated audiences over generations, and Festival Opera’s season will carry on the tradition.
John Wilkie returns to direct a double cast, led by conductor Jose Aparicio, featuring the stunning Toni Marie Palmertree and Anna Pierard as the female heroines in the respective operas.
Rosario la Spina returns after a super-human season in last year’s ‘La Traviata’. He brings his artistry to the classic aria that made Pavarotti famous.
Baritone ZhengZhong Zhou, Kiwi Mezzo Wendy Doyle and Baritone Kieran Rayner are also featured, and in her first foray into opera, the exceptional singer song-writer Julia Deans takes on her newest challenge, performing the role of Lola.
Festival Opera is thrilled to support Project Prima Volta members who will also take part for the most exciting production yet!
Forester: Kieran Rayner
Vixen: Caroline Taylor
Fox: Olivia Warburton
The Cunning Little Vixen is nearly one hundred years old and yet its themes couldn’t be more relevant to today’s world. Janacek’s opera explores the delicate symbiotic relationship humans have with other living things and the environment, as well as questioning human moral responsibility and the dangers we face when we hurt nature, all told through the escapades of a particularly-adventurous fox. Think Wind in the Willows meets Extinction Rebellion. This magical, timeless story will be fully staged and expect an evening of singing, acting, dance and puppetry.
After the sell-out production of Turn of the Screw in 2020, Riverside Opera returns to the Barnes Music Festival. Artistic Director, James Day joins forces with Director Will Ashford and a cast of singers comprised of rising stars in the international opera world.
POSTPONED UNTIL FURTHER NOTICE
Sunny, funny and with more ‘tra la la las’ per square inch than any other opera in the canon, The Gondoliers is a joy from start to finish.
In a flight of the satirical whimsy so typical of G&S, two happy-go-lucky gondoliers discover that one of them is, in fact, heir to the throne of a distant kingdom. True to their (adopted) Republican roots, they set off together to rule in idealistic, if somewhat chaotic, style… Director Stuart Maunder, Artistic Director at State Opera South Australia, teams up with designer Dick Bird (The Mikado 2016) to stage a production that is fast, furious and full of fun.
Gilbert & Sullivan’s penultimate opera, Utopia, Limited, was written immediately after The Gondoliers. Here, with an updated libretto by director Stuart Maunder and a revised musical version by Scottish Opera’s Head of Music Derek Clark, it is given its Scottish Opera premiere and the airing it so deserves.
Kieran is delighted to return to Garsington for 2021, to play the role of Der Notar in Der Rosenkavalier.
The Marschallin and her young lover Octavian enjoy a glorious morning together. The sudden arrival of her cousin, the lecherous Baron Ochs, intent on securing the hand of Sophie, ignites a comic and bittersweet chain of events. With honour at risk, social status bartered and happiness illusive, the Marschallin accepts time cannot be stopped and she must set young love free.
Exquisite music captures perfectly the poignant comedy and fairy tale romance of the story, reaching its emotional climax in one of opera’s greatest moments, the beautiful final trio.
We are delighted to bring you Strauss’s most famous opera for the first time, with Miah Persson (Countess, Capriccio, 2018) making her role debut as the Marschallin alongside Hanna Hipp (title role, Fantasio, 2019) as Octavian and Derrick Ballard making his Garsington Opera debut as Ochs. Bruno Ravella (Falstaff, 2018) directs and the Philharmonia Orchestra is conducted by Jordan de Souza, who appears at Garsington for the first time.
Kieran is delighted to return to Garsington for 2021, to play the role of Der Notar in Der Rosenkavalier.
The Marschallin and her young lover Octavian enjoy a glorious morning together. The sudden arrival of her cousin, the lecherous Baron Ochs, intent on securing the hand of Sophie, ignites a comic and bittersweet chain of events. With honour at risk, social status bartered and happiness illusive, the Marschallin accepts time cannot be stopped and she must set young love free.
Exquisite music captures perfectly the poignant comedy and fairy tale romance of the story, reaching its emotional climax in one of opera’s greatest moments, the beautiful final trio.
We are delighted to bring you Strauss’s most famous opera for the first time, with Miah Persson (Countess, Capriccio, 2018) making her role debut as the Marschallin alongside Hanna Hipp (title role, Fantasio, 2019) as Octavian and Derrick Ballard making his Garsington Opera debut as Ochs. Bruno Ravella (Falstaff, 2018) directs and the Philharmonia Orchestra is conducted by Jordan de Souza, who appears at Garsington for the first time.
Kieran is delighted to return to Garsington for 2021, to play the role of Der Notar in Der Rosenkavalier.
The Marschallin and her young lover Octavian enjoy a glorious morning together. The sudden arrival of her cousin, the lecherous Baron Ochs, intent on securing the hand of Sophie, ignites a comic and bittersweet chain of events. With honour at risk, social status bartered and happiness illusive, the Marschallin accepts time cannot be stopped and she must set young love free.
Exquisite music captures perfectly the poignant comedy and fairy tale romance of the story, reaching its emotional climax in one of opera’s greatest moments, the beautiful final trio.
We are delighted to bring you Strauss’s most famous opera for the first time, with Miah Persson (Countess, Capriccio, 2018) making her role debut as the Marschallin alongside Hanna Hipp (title role, Fantasio, 2019) as Octavian and Derrick Ballard making his Garsington Opera debut as Ochs. Bruno Ravella (Falstaff, 2018) directs and the Philharmonia Orchestra is conducted by Jordan de Souza, who appears at Garsington for the first time.
Kieran is delighted to return to Garsington for 2021, to play the role of Der Notar in Der Rosenkavalier.
The Marschallin and her young lover Octavian enjoy a glorious morning together. The sudden arrival of her cousin, the lecherous Baron Ochs, intent on securing the hand of Sophie, ignites a comic and bittersweet chain of events. With honour at risk, social status bartered and happiness illusive, the Marschallin accepts time cannot be stopped and she must set young love free.
Exquisite music captures perfectly the poignant comedy and fairy tale romance of the story, reaching its emotional climax in one of opera’s greatest moments, the beautiful final trio.
We are delighted to bring you Strauss’s most famous opera for the first time, with Miah Persson (Countess, Capriccio, 2018) making her role debut as the Marschallin alongside Hanna Hipp (title role, Fantasio, 2019) as Octavian and Derrick Ballard making his Garsington Opera debut as Ochs. Bruno Ravella (Falstaff, 2018) directs and the Philharmonia Orchestra is conducted by Jordan de Souza, who appears at Garsington for the first time.
Kieran is delighted to return to Garsington for 2021, to play the role of Der Notar in Der Rosenkavalier.
The Marschallin and her young lover Octavian enjoy a glorious morning together. The sudden arrival of her cousin, the lecherous Baron Ochs, intent on securing the hand of Sophie, ignites a comic and bittersweet chain of events. With honour at risk, social status bartered and happiness illusive, the Marschallin accepts time cannot be stopped and she must set young love free.
Exquisite music captures perfectly the poignant comedy and fairy tale romance of the story, reaching its emotional climax in one of opera’s greatest moments, the beautiful final trio.
We are delighted to bring you Strauss’s most famous opera for the first time, with Miah Persson (Countess, Capriccio, 2018) making her role debut as the Marschallin alongside Hanna Hipp (title role, Fantasio, 2019) as Octavian and Derrick Ballard making his Garsington Opera debut as Ochs. Bruno Ravella (Falstaff, 2018) directs and the Philharmonia Orchestra is conducted by Jordan de Souza, who appears at Garsington for the first time.