The VIARDOT200 festival in Dorset is a celebration of the bicentenary of 19th Century composer (and glamorous singer!) Pauline Viardot. The weekend festival will feature Viardot’s Cendrillon (Cinderella) in which Kieran plays Cinderella’s father Baron Duphol, plus a concert of art songs written or inspired by Viardot.
At the end of the festival, Kieran will play Hero in the premiere of young composer Zygmund de Somogyi’s chamber opera hikikomori!, an exciting new work exploring love, loss and the boundaries between fantasy and reality.
Where: Oborne, Dorset
When: Cendrillon: 2 April
Art song concert: 3 April
hikikomori! : 4 April
Booking details and further information to be announced soon.
Conducted by Dominic Ellis-Peckham, Aldeburgh Voices, The Suffolk Ensemble and soloists perform selections from Bach’s three great Easter passions and Easter choral settings by composers from the 16th to 21st centuries: Victoria, Lotti, Bruckner, Copland and Taverner.
Composer Jasmine Morris’s multi-media chamber opera responding to George Orwell’s novel, Animal Farm. Kieran Rayne will play Farmer Jones, a ruthless investor targeting profit by any means necessary.
This promenade piece invites you to follow your guides around the spaces of the Hoffmann Building to see scenes performed.
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
Rita, the somewhat tyrannical inn-owner and wife of Peppe is shocked by the return of her former husband Gasparo whom she had thought dead by drowning (he had run away to far-off lands). Gasparo is back to acquire Rita’s death certificate so he can remarry – because he, in turn, thought she had died. In the middle is poor Peppe who wants out, and perhaps Gasparo’s return provides the opportunity? The opera is a comedy of deceit and ill-manners (it was originally called The Beaten Husband which tells you something of Rita’s inclinations) but it glitters with Donizetti’s trademark vivacity, formed around eight core musical ‘numbers’ connected by spoken dialogue. The opera has, in the past few decades, become one of the most frequently performed of Donizetti’s short operas.
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
Rita, the somewhat tyrannical inn-owner and wife of Peppe is shocked by the return of her former husband Gasparo whom she had thought dead by drowning (he had run away to far-off lands). Gasparo is back to acquire Rita’s death certificate so he can remarry – because he, in turn, thought she had died. In the middle is poor Peppe who wants out, and perhaps Gasparo’s return provides the opportunity? The opera is a comedy of deceit and ill-manners (it was originally called The Beaten Husband which tells you something of Rita’s inclinations) but it glitters with Donizetti’s trademark vivacity, formed around eight core musical ‘numbers’ connected by spoken dialogue. The opera has, in the past few decades, become one of the most frequently performed of Donizetti’s short operas.
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
The course of true love runs far from smooth for Dido, Queen of Carthage, and Trojan hero Aeneas in Purcell’s famous opera. We are thrilled that our If Opera Company singers will be working with guest conductor Christopher Bucknall for this very special concert performance of Dido and Aeneas. Intimate in scale, this timeless tale of love and anguish, sorcery, war and betrayal punches well above its weight and includes one of the most beautiful arias in all Baroque opera – When I am Laid in Earth.
DIDO Fleur Barron
AENEAS Kieran Rayner
SORCERESS Katherine McIndoe
BELINDA Nardus Williams
FIRST WITCH Lorena Paz Nieto
SECOND WITCH Helen Maree Cooper
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
Presented for the Art Deco Festival, Festival Opera proudly presents W A Mozart’s masterpiece, The Magic Flute (Die Zauberflöte). Sung in German with English dialogues and accompanied by a live orchestra. Presented by Festival Opera – 14,16,18 and 20 February 2023 at the Napier Municipal Theatre.
Kieran makes his first return to NZ in three years to play Papageno in Mozart’s The Magic Flute for Festival Opera in beautiful Napier, Hawke’s Bay. Joined by a strong cast of established singers and up-and-coming talent, this entertaining and energetic show is not to be missed!
One year on from the original planned season, we can finally step into the fairy-tale world of Mozart’s triumphant last opera The Magic Flute (Die Zauberflöte). It’s crammed full of entertaining characters who are motivated by passion or by hate, but all in search of the ultimate truth.
Danger, magic, tests of integrity, and actions both honourable and foul sweep us up into an enchanting tale where nothing is quite as it seems. This celebrated opera is widely believed to be one of the most magically heart-stopping compositions ever written, featuring many recognisable melodies that have stood the test of time. In our 2023 season, the work is performed by Aotearoa’s finest operatic talent.
Principal Stage Director John Wilkie and Conductor José Aparicio will lead an outstanding cast headlined by Aotearoa’s most promising young tenor, NZ Aria Winner, Lexus Song Quest Finalist and Project Prima Volta graduate, Emmanuel Fonoti-Fuimaono, who takes the role of Tamino. He shares the stage with many other PPV graduates, and established professionals including Emma Pearson who debuts with Festival Opera performing the role of Pamina, Baritone Kieran Rayner who returns to Festival Opera to sing Papageno and Mezzo-Soprano Kirstin Darragh, also in her debut with Festival Opera, singing the role of Third Lady.
The fully staged opera will also feature the Festival Opera Junior Chorus and PPV Senior members.
Project Prima Volta’s participation in The Magic Flute is made possible through the generous support of the Dame Malvina Major Foundation.
Presented for the Art Deco Festival, Festival Opera proudly presents W A Mozart’s masterpiece, The Magic Flute (Die Zauberflöte). Sung in German with English dialogues and accompanied by a live orchestra. Presented by Festival Opera – 14,16,18 and 20 February 2023 at the Napier Municipal Theatre.
Kieran makes his first return to NZ in three years to play Papageno in Mozart’s The Magic Flute for Festival Opera in beautiful Napier, Hawke’s Bay. Joined by a strong cast of established singers and up-and-coming talent, this entertaining and energetic show is not to be missed!
One year on from the original planned season, we can finally step into the fairy-tale world of Mozart’s triumphant last opera The Magic Flute (Die Zauberflöte). It’s crammed full of entertaining characters who are motivated by passion or by hate, but all in search of the ultimate truth.
Danger, magic, tests of integrity, and actions both honourable and foul sweep us up into an enchanting tale where nothing is quite as it seems. This celebrated opera is widely believed to be one of the most magically heart-stopping compositions ever written, featuring many recognisable melodies that have stood the test of time. In our 2023 season, the work is performed by Aotearoa’s finest operatic talent.
Principal Stage Director John Wilkie and Conductor José Aparicio will lead an outstanding cast headlined by Aotearoa’s most promising young tenor, NZ Aria Winner, Lexus Song Quest Finalist and Project Prima Volta graduate, Emmanuel Fonoti-Fuimaono, who takes the role of Tamino. He shares the stage with many other PPV graduates, and established professionals including Emma Pearson who debuts with Festival Opera performing the role of Pamina, Baritone Kieran Rayner who returns to Festival Opera to sing Papageno and Mezzo-Soprano Kirstin Darragh, also in her debut with Festival Opera, singing the role of Third Lady.
The fully staged opera will also feature the Festival Opera Junior Chorus and PPV Senior members.
Project Prima Volta’s participation in The Magic Flute is made possible through the generous support of the Dame Malvina Major Foundation.
Presented for the Art Deco Festival, Festival Opera proudly presents W A Mozart’s masterpiece, The Magic Flute (Die Zauberflöte). Sung in German with English dialogues and accompanied by a live orchestra. Presented by Festival Opera – 14,16,18 and 20 February 2023 at the Napier Municipal Theatre.
Kieran makes his first return to NZ in three years to play Papageno in Mozart’s The Magic Flute for Festival Opera in beautiful Napier, Hawke’s Bay. Joined by a strong cast of established singers and up-and-coming talent, this entertaining and energetic show is not to be missed!
One year on from the original planned season, we can finally step into the fairy-tale world of Mozart’s triumphant last opera The Magic Flute (Die Zauberflöte). It’s crammed full of entertaining characters who are motivated by passion or by hate, but all in search of the ultimate truth.
Danger, magic, tests of integrity, and actions both honourable and foul sweep us up into an enchanting tale where nothing is quite as it seems. This celebrated opera is widely believed to be one of the most magically heart-stopping compositions ever written, featuring many recognisable melodies that have stood the test of time. In our 2023 season, the work is performed by Aotearoa’s finest operatic talent.
Principal Stage Director John Wilkie and Conductor José Aparicio will lead an outstanding cast headlined by Aotearoa’s most promising young tenor, NZ Aria Winner, Lexus Song Quest Finalist and Project Prima Volta graduate, Emmanuel Fonoti-Fuimaono, who takes the role of Tamino. He shares the stage with many other PPV graduates, and established professionals including Emma Pearson who debuts with Festival Opera performing the role of Pamina, Baritone Kieran Rayner who returns to Festival Opera to sing Papageno and Mezzo-Soprano Kirstin Darragh, also in her debut with Festival Opera, singing the role of Third Lady.
The fully staged opera will also feature the Festival Opera Junior Chorus and PPV Senior members.
Project Prima Volta’s participation in The Magic Flute is made possible through the generous support of the Dame Malvina Major Foundation.
Presented for the Art Deco Festival, Festival Opera proudly presents W A Mozart’s masterpiece, The Magic Flute (Die Zauberflöte). Sung in German with English dialogues and accompanied by a live orchestra. Presented by Festival Opera – 14,16,18 and 20 February 2023 at the Napier Municipal Theatre.
Kieran makes his first return to NZ in three years to play Papageno in Mozart’s The Magic Flute for Festival Opera in beautiful Napier, Hawke’s Bay. Joined by a strong cast of established singers and up-and-coming talent, this entertaining and energetic show is not to be missed!
One year on from the original planned season, we can finally step into the fairy-tale world of Mozart’s triumphant last opera The Magic Flute (Die Zauberflöte). It’s crammed full of entertaining characters who are motivated by passion or by hate, but all in search of the ultimate truth.
Danger, magic, tests of integrity, and actions both honourable and foul sweep us up into an enchanting tale where nothing is quite as it seems. This celebrated opera is widely believed to be one of the most magically heart-stopping compositions ever written, featuring many recognisable melodies that have stood the test of time. In our 2023 season, the work is performed by Aotearoa’s finest operatic talent.
Principal Stage Director John Wilkie and Conductor José Aparicio will lead an outstanding cast headlined by Aotearoa’s most promising young tenor, NZ Aria Winner, Lexus Song Quest Finalist and Project Prima Volta graduate, Emmanuel Fonoti-Fuimaono, who takes the role of Tamino. He shares the stage with many other PPV graduates, and established professionals including Emma Pearson who debuts with Festival Opera performing the role of Pamina, Baritone Kieran Rayner who returns to Festival Opera to sing Papageno and Mezzo-Soprano Kirstin Darragh, also in her debut with Festival Opera, singing the role of Third Lady.
The fully staged opera will also feature the Festival Opera Junior Chorus and PPV Senior members.
Project Prima Volta’s participation in The Magic Flute is made possible through the generous support of the Dame Malvina Major Foundation.
Join the critically acclaimed London Oriana Choir under Musical Director Dominic Peckham, The Meridian Sinfonia and an array of international soloists for Bach’s masterpiece as we look toward Eastertide.
Siân Dicker: soprano
Lotte Betts-Dean: mezzo-soprano
Will Wright: tenor
Kieran Rayner: bass
Peter Kirk: Evangelist
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will make his role debut as Escamillo in Carmen, and play Billy Bones in a new opera Captain Blood’s Revenge, for the Norwich Into Opera Festival this summer. More details to follow.
Kieran will sing the villainous Sorcerer in Waterperry’s Double Bill of Dido & Aeneas and Acis & Galatea.
Acis and Galatea. The ethereal nymph, Galatea, is in love with a youthful shepherd, Acis. All seems serene, until their love is threatened by the jealousy of the monstrous Polyphemus. Directed by Rebecca Meltzer (Svadba, Hansel and Gretel, Ariel, Mansfield Park) this new production celebrates the beauty of Handel’s music coupled with Waterperry’s natural spaces.
Dido and Aeneas. Tribal Queen Dido struggles to keep power in her court as Prince Aeneas comes to ask for her hand in marriage and an alliance between factions. Treachery and sedition threaten to tear a nation and a marriage asunder. Directed by Guy Withers (Peter and the Wolf, The Diary of One Who Disappeared), this beloved English operatic gem takes a dark turn in a bold new production.
Kieran will sing the villainous Sorcerer in Waterperry’s Double Bill of Dido & Aeneas and Acis & Galatea.
Acis and Galatea. The ethereal nymph, Galatea, is in love with a youthful shepherd, Acis. All seems serene, until their love is threatened by the jealousy of the monstrous Polyphemus. Directed by Rebecca Meltzer (Svadba, Hansel and Gretel, Ariel, Mansfield Park) this new production celebrates the beauty of Handel’s music coupled with Waterperry’s natural spaces.
Dido and Aeneas. Tribal Queen Dido struggles to keep power in her court as Prince Aeneas comes to ask for her hand in marriage and an alliance between factions. Treachery and sedition threaten to tear a nation and a marriage asunder. Directed by Guy Withers (Peter and the Wolf, The Diary of One Who Disappeared), this beloved English operatic gem takes a dark turn in a bold new production.
Kieran will sing the villainous Sorcerer in Waterperry’s Double Bill of Dido & Aeneas and Acis & Galatea.
Acis and Galatea. The ethereal nymph, Galatea, is in love with a youthful shepherd, Acis. All seems serene, until their love is threatened by the jealousy of the monstrous Polyphemus. Directed by Rebecca Meltzer (Svadba, Hansel and Gretel, Ariel, Mansfield Park) this new production celebrates the beauty of Handel’s music coupled with Waterperry’s natural spaces.
Dido and Aeneas. Tribal Queen Dido struggles to keep power in her court as Prince Aeneas comes to ask for her hand in marriage and an alliance between factions. Treachery and sedition threaten to tear a nation and a marriage asunder. Directed by Guy Withers (Peter and the Wolf, The Diary of One Who Disappeared), this beloved English operatic gem takes a dark turn in a bold new production.
Ivor Novello (tenor): Alfred Mitchell
‘Mad’ Frankie Fraser (baritone): Kieran Rayner
Clara Novello Davies, Ivor’s mother (soprano): Olivia Bell
Prison Warder (bass-baritone): Anthony Lloyd
The idol and the thug: well-known Queer Ivor Novello was the most successful composer and matinee idol of the 30s and 40s. In 1944 he was banged up in Wormwood Scrubs for fiddling his petrol coupons. He shared a cell with a homophobe: 20-year-old ‘Mad’ Frankie Fraser, the terror of South London gangland. What could possibly go wrong?
This almost-true story explores class war, electric shock treatment, the nature of masculinity – and how to rebuild a life you think is in ruins.
Music: Robert Ely
Words: Peter Scott-Presland
Director: Emily Beech
Music Director: Joe Tobin
Repetiteur: Jack Campbell
Lighting Design: John Brand
Ivor Novello (tenor): Alfred Mitchell
‘Mad’ Frankie Fraser (baritone): Kieran Rayner
Clara Novello Davies, Ivor’s mother (soprano): Olivia Bell
Prison Warder (bass-baritone): Anthony Lloyd
The idol and the thug: well-known Queer Ivor Novello was the most successful composer and matinee idol of the 30s and 40s. In 1944 he was banged up in Wormwood Scrubs for fiddling his petrol coupons. He shared a cell with a homophobe: 20-year-old ‘Mad’ Frankie Fraser, the terror of South London gangland. What could possibly go wrong?
This almost-true story explores class war, electric shock treatment, the nature of masculinity – and how to rebuild a life you think is in ruins.
Music: Robert Ely
Words: Peter Scott-Presland
Director: Emily Beech
Music Director: Joe Tobin
Repetiteur: Jack Campbell
Lighting Design: John Brand
Music: Omar Shahryar
Words: Hannah Kumari
Created by PJ Harris and Hannah Kumari
A work-in-progress performance.
In the shadow of international unrest, the increasingly militant Suffragettes plan an attack which could change the history of Woolwich Arsenal FC forever.
Annie is a football fan, and a Suffragette. Francis is a munitions factory worker, and a father. William is a Scottish immigrant and a professional footballer. When ruthless businessman Henry Norris buys ailing Woolwich Arsenal FC and attempts to displace the club north of the river, the intertwined lives of these three Woolwich residents take a dramatic turn.
Age Rating: All ages, mostly adults.
Content Advisory: to see content advisories for Tête à Tête: The Opera Festival 2023 shows, click here.
Produced by PJ Harris & Hannah Kumari, in association with English National Opera
In cooperation with the Vienna-Tel Aviv Vocal Connection
Strauss‘s opera Die Fledermaus, with conductor David Aronson, Shahar Choir (Gila Brill, conductor) and soloists from Israel and abroad.
David Aronson, conductor
Rosemarie Danziger, stage director
Rosalinde: Efrat Ashkenazi (The Israeli Opera)
Adele: Emily Rocha (Toronto, International Award Winning Artist)
Alfred: Franz Gürtelschmied (Bastille Opera, Paris; Graz Opera; Budapest Opera)
Eisenstein: Martin Mairinger (Klagenfurt Opera, Austria; Opéra de Lille, France; Klosterneuburg Opera, Austria; Theater an der Wien, Austria)
Frank: Kieran Rayner (Covent Garden; Welsh Opera; Scottish National Opera)
Falke: Mark Nathan (Welsh National Opera; Scottish Opera; Irish Opera)
Dr. Blind: Richard Roberts (English National Opera; Welsh National Opera; Theater Kiel, Germany; Theater Kassel, Germany)
Prince Orlofsky: Christiane Döcker: (Leipzig Opera, Germany; Klagenfurt Opera, Austria)
Ida: Sivan Keren (The Israeli Opera)
Ivan/Frosch: Joel Landshut (Actor)
In cooperation with the Vienna-Tel Aviv Vocal Connection
Strauss‘s opera Die Fledermaus, with conductor David Aronson, Shahar Choir (Gila Brill, conductor) and soloists from Israel and abroad.
David Aronson, conductor
Rosemarie Danziger, stage director
Rosalinde: Efrat Ashkenazi (The Israeli Opera)
Adele: Emily Rocha (Toronto, International Award Winning Artist)
Alfred: Franz Gürtelschmied (Bastille Opera, Paris; Graz Opera; Budapest Opera)
Eisenstein: Martin Mairinger (Klagenfurt Opera, Austria; Opéra de Lille, France; Klosterneuburg Opera, Austria; Theater an der Wien, Austria)
Frank: Kieran Rayner (Covent Garden; Welsh Opera; Scottish National Opera)
Falke: Mark Nathan (Welsh National Opera; Scottish Opera; Irish Opera)
Dr. Blind: Richard Roberts (English National Opera; Welsh National Opera; Theater Kiel, Germany; Theater Kassel, Germany)
Prince Orlofsky: Christiane Döcker: (Leipzig Opera, Germany; Klagenfurt Opera, Austria)
Ida: Sivan Keren (The Israeli Opera)
Ivan/Frosch: Joel Landshut (Actor)
In cooperation with the Vienna-Tel Aviv Vocal Connection
Strauss‘s opera Die Fledermaus, with conductor David Aronson, Shahar Choir (Gila Brill, conductor) and soloists from Israel and abroad.
David Aronson, conductor
Rosemarie Danziger, stage director
Rosalinde: Efrat Ashkenazi (The Israeli Opera)
Adele: Emily Rocha (Toronto, International Award Winning Artist)
Alfred: Franz Gürtelschmied (Bastille Opera, Paris; Graz Opera; Budapest Opera)
Eisenstein: Martin Mairinger (Klagenfurt Opera, Austria; Opéra de Lille, France; Klosterneuburg Opera, Austria; Theater an der Wien, Austria)
Frank: Kieran Rayner (Covent Garden; Welsh Opera; Scottish National Opera)
Falke: Mark Nathan (Welsh National Opera; Scottish Opera; Irish Opera)
Dr. Blind: Richard Roberts (English National Opera; Welsh National Opera; Theater Kiel, Germany; Theater Kassel, Germany)
Prince Orlofsky: Christiane Döcker: (Leipzig Opera, Germany; Klagenfurt Opera, Austria)
Ida: Sivan Keren (The Israeli Opera)
Ivan/Frosch: Joel Landshut (Actor)
In cooperation with the Vienna-Tel Aviv Vocal Connection
Mozart‘s famous opera – with Maestro David Aronson and soloists from Israel and abroad.
Rosemarie Danziger, stage director
Conductor: David Aronson (Vienna State Opera)
Stage Director: Rosemarie Danziger
Figaro: Kieran Rayner (Covent Garden, Welsh Opera, Scottish National Opera)
Susanna: Emily Rocha (Toronto; International Award-Winning Artist)
Countess: Cassandra Amorim (Toronto; International Award-Winning Artist)
Count: Mark Nathan: (Welsh National Opera, Scottish Opera, Irish Opera, Israeli Opera)
Bartolo: Sorin Coliban (Vienna State Opera; Covent Garden; Bastille Opera, Paris, Bayerische Staatsoper, Munich; )
Marcellina: Efrat Ashkenazi (Israeli Opera)
Cherubino: Christiane Döcker (Leipzig Opera, Germany; Klagenfurt Opera, Austria)
Don Basilio: Richard Roberts (English National Opera, Welsh National Opera, Theater Kiel, Germany, Theater Kassel, Germany)
Shahar Choir, Rehovot
Gila Brill, chorusmaster