The VIARDOT200 festival in Dorset is a celebration of the bicentenary of 19th Century composer (and glamorous singer!) Pauline Viardot. The weekend festival will feature Viardot’s Cendrillon (Cinderella) in which Kieran plays Cinderella’s father Baron Duphol, plus a concert of art songs written or inspired by Viardot.
At the end of the festival, Kieran will play Hero in the premiere of young composer Zygmund de Somogyi’s chamber opera hikikomori!, an exciting new work exploring love, loss and the boundaries between fantasy and reality.
Where: Oborne, Dorset
When: Cendrillon: 2 April
Art song concert: 3 April
hikikomori! : 4 April
Booking details and further information to be announced soon.
Conducted by Dominic Ellis-Peckham, Aldeburgh Voices, The Suffolk Ensemble and soloists perform selections from Bach’s three great Easter passions and Easter choral settings by composers from the 16th to 21st centuries: Victoria, Lotti, Bruckner, Copland and Taverner.
Composer Jasmine Morris’s multi-media chamber opera responding to George Orwell’s novel, Animal Farm. Kieran Rayne will play Farmer Jones, a ruthless investor targeting profit by any means necessary.
This promenade piece invites you to follow your guides around the spaces of the Hoffmann Building to see scenes performed.
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
Rita, the somewhat tyrannical inn-owner and wife of Peppe is shocked by the return of her former husband Gasparo whom she had thought dead by drowning (he had run away to far-off lands). Gasparo is back to acquire Rita’s death certificate so he can remarry – because he, in turn, thought she had died. In the middle is poor Peppe who wants out, and perhaps Gasparo’s return provides the opportunity? The opera is a comedy of deceit and ill-manners (it was originally called The Beaten Husband which tells you something of Rita’s inclinations) but it glitters with Donizetti’s trademark vivacity, formed around eight core musical ‘numbers’ connected by spoken dialogue. The opera has, in the past few decades, become one of the most frequently performed of Donizetti’s short operas.
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
Rita, the somewhat tyrannical inn-owner and wife of Peppe is shocked by the return of her former husband Gasparo whom she had thought dead by drowning (he had run away to far-off lands). Gasparo is back to acquire Rita’s death certificate so he can remarry – because he, in turn, thought she had died. In the middle is poor Peppe who wants out, and perhaps Gasparo’s return provides the opportunity? The opera is a comedy of deceit and ill-manners (it was originally called The Beaten Husband which tells you something of Rita’s inclinations) but it glitters with Donizetti’s trademark vivacity, formed around eight core musical ‘numbers’ connected by spoken dialogue. The opera has, in the past few decades, become one of the most frequently performed of Donizetti’s short operas.
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
The course of true love runs far from smooth for Dido, Queen of Carthage, and Trojan hero Aeneas in Purcell’s famous opera. We are thrilled that our If Opera Company singers will be working with guest conductor Christopher Bucknall for this very special concert performance of Dido and Aeneas. Intimate in scale, this timeless tale of love and anguish, sorcery, war and betrayal punches well above its weight and includes one of the most beautiful arias in all Baroque opera – When I am Laid in Earth.
DIDO Fleur Barron
AENEAS Kieran Rayner
SORCERESS Katherine McIndoe
BELINDA Nardus Williams
FIRST WITCH Lorena Paz Nieto
SECOND WITCH Helen Maree Cooper
La rondine (The Swallow) is a moving tale of young love and heartbreak – and what else, you may ask, is opera about? Arguably Puccini’s most modern opera, La rondine was premiered in Monte Carlo in 1917, and includes one of Puccini’s most gorgeous creations, the quartet, ‘Bevo al tuo fresco sorriso’ (I drink to your beautiful smile).
Magda is our ‘rondine’ , the bird who flies towards the sun, and Ruggero is the shy country boy who eventually becomes her lover. We witness their relationship unfold in the colourful locales of Paris and the balmier climes of southern France. The love ‘quadrangle’ is made complete by Prunier, a centre-of-attention poet and Magda’s fiery maid, Lisette. Amidst waltzes, foxtrots, and soaring melodies, join us for an unmissable evening of sophistication and glamour in the enchanting surroundings of Grade 1 listed Belcombe Court.
Director Bruno Ravella, a former Iford Arts favourite, joins us fresh from extraordinary acclaim for his Rosenkavalier at Garsington in 2021, and If Opera’s Artistic Director Oliver Gooch conducts.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.
A co-production by Britten Pears Arts and The Royal Opera House.
In a world brutalised by conflict, one woman’s experience of horrific violence becomes the defining moment of an era.
Benjamin Britten’s shattering chamber opera explores some of the darkest drives in the human psyche – and what happens when power and war give them free rein. In this contemporary new staging, Oliver Mears directs, while Corinna Niemeyer conducts a cast drawn from the Britten Pears Young Artist Programme and the Jette Parker Artists Programme.
Throughout the autumn, we will be exploring aspects of this production and its wider context in a series of talks and presentations online. Keep your eye on the website for more details.